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Humanitarian Services. Discover Careers. Intel Center. To pre-purchase tickets online, please scan:. From 16 July, through 31 January, , TANK Shanghai presents More, More, More , a large-scale international exhibition featuring new commissions and existing artwork by 28 domestic and international artists and groups.

The use of repetition in music—like in all media— changes our perception of the thing repeated. If excessively repeated, a familiar word may sound like gibberish, gain a double meaning, or transform into a different kind of speech act.

It loses its conventional function as a fixed signifier for something else, becoming a more sensuous kind of object, lying somewhere between locution and music, symbol and noise, or the mind and the mouth.

Working with the textures of a text, the sonority of language, the traces in a translation, or even the relationship between the visible and the microbial, More, More, More features art that works to open the field of artistic experience to a diversity of phenomena.

In ways large and small, the artists and collectives in this exhibition break from the grim persistence of philosophical traditions that fuse knowledge with sight, allowing for new possible meanings, re-affixed to the body, to emerge.

More traditional media like figurative painting, poetry, ink painting, and line drawing also has a crucial presence in this exhibition.

Such works enhance or exaggerate the sensuality of surfaces and cast doubt on the certitude of visual perception. The diversity of practices in More, More, More attests to the vitality of transfeminist and non-Western subjectivities.

Through different modes of making, the artists in this exhibition direct our attention to the methods of embodiment that facilitate even the most normalized techniques of knowledge production such as reading a map or watching a TED Talk on YouTube.

Many also illuminate the divergences between the experience of bodies on the one hand and the words and images used to give a body its identity on the other.

The first phrasing of the exhibition unceremoniously began in July This exhibition was initially scheduled to open in March However, due to the challenges incurred by the viral pandemic, it was continually rescheduled.

For the curatorial team, this dilemma provoked us to consider the conditions that produce singular, immediate events. The temporal structure of More, More, More reflects this evolved understanding of eventfulness.

It will continue to develop, grow, transform, crescendo, and diminuendo until early Exhibition Publications. More details regarding the bilingual reader will be released in December.