Erfahre mehr über Elvis Presley. Bewertungen 0. Beschreibung. (SONY-BMG) 18x10inch Vinyl EP 45rpm with Company Sleeves (UK), Cap-Box 27x27x9 cm. The King (englisch für „Der König“) steht für: Elvis Presley (–), US-amerikanischer Sänger, Musiker und Schauspieler; The King (Sänger) (* ). Graceland: ELVIS - THE KING - Auf Tripadvisor finden Sie Bewertungen von Reisenden, authentische Reisefotos und Top Angebote für Memphis.
ELVIS - THE KING - GracelandClambake -> Flaming Star -> Frankie und Johnny -> Kid Galahad -> Love Me Tender -> Sommer in Florida -> Wild in the. Graceland: ELVIS - THE KING - Auf Tripadvisor finden Sie Bewertungen von Reisenden, authentische Reisefotos und Top Angebote für Memphis. , Suspicious Minds. , Blue Suede Shoes. , Jailhouse Rock. , Love Me Tender. , Don't Be Cruel. , King Creole. , Hard Headed Woman.
Elvis The King Post navigation VideoELVIS The King In Concert Special Edit) PART 5 youtube original Elvis* – The King Label: Sony BMG Music Entertainment – 2 Bild Seine 50 Grössten Hits | 30 Jahre Elvis Lebt [Back Cover]. Elvis the King is a box set comprising 18 singles of the recorded work of American singer and musician Elvis Presley, released in by RCA Records. The box set is available in both CD and 10" vinyl formats. The first release was Monday, August 13, , marking 30 years—to the week—since the death of Elvis Presley. Celebrated as "the king of rock 'n' roll," Elvis' legacy lives on through his fans and his home, Graceland. One of the most famous homes in America, it attracts scores of fans every year. Although. Elvis Presley re-established himself as The King of Rock and Roll with Elvis, the widely-seen "comeback special" broadcast on NBC at the end of The show's many highlights included laid-back live performances recorded in the round before a small audience and featuring a powerful ensemble - including guitarist Scotty Moore and drummer D.J. Fontana, both part of Elvis' original, classic backing band. May 23, - Explore Lisa E's board "Elvis-The King ", followed by people on Pinterest. See more ideas about Elvis, Elvis presley, Elvis presley photos. May 23, - Explore Lisa E's board "Elvis-The King ", followed by people on Pinterest. See more ideas about Elvis, Elvis presley, Elvis presley photosK pins. 8/5/ · But Elvis was the first to be the complete artist and do it successfully. He was the mold for everything today’s artists need to be. I think he was more than just the “King of Rock ‘n’ Roll”. Elvis remains simply “The King” representing everything entertainment. Elvis died at his Memphis home, Graceland, on August 16, He was View credits, reviews, tracks and shop for the CD release of The King on Discogs.
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Edit Cast Credited cast: Michael Jackson Self archive footage Elvis Presley Self archive footage Lisa Marie Presley Genres: Documentary.
An extraordinary compass Presley's best octave is in the middle, D-flat to D-flat, granting an extra full step up or down. His voice can not be measured in octaves, but in decibels; even that misses the problem of how to measure delicate whispers that are hardly audible at all.
When Dewey Phillips first aired "That's All Right" on Memphis' WHBQ , many listeners who contacted the station by phone and telegram to ask for it again assumed that its singer was black.
Interviewed in , he recalled how in his childhood he would listen to blues musician Arthur Crudup —the originator of "That's All Right"—"bang his box the way I do now, and I said if I ever got to the place where I could feel all old Arthur felt, I'd be a music man like nobody ever saw.
Anti-negro prejudice doubtless figured in adult antagonism. Regardless of whether parents were aware of the Negro sexual origins of the phrase 'rock 'n' roll', Presley impressed them as the visual and aural embodiment of sex.
Despite the largely positive view of Presley held by African Americans, a rumor spread in mid that he had at some point announced, "The only thing Negroes can do for me is buy my records and shine my shoes.
On the set of Jailhouse Rock , Presley granted Robinson an interview, though he was no longer dealing with the mainstream press.
He denied making such a statement: "I never said anything like that, and people who know me know that I wouldn't have said it.
A lot of people seem to think I started this business. But rock 'n' roll was here a long time before I came along. Nobody can sing that kind of music like colored people.
Let's face it: I can't sing like Fats Domino can. I know that. The persistence of such attitudes was fueled by resentment over the fact that Presley, whose musical and visual performance idiom owed much to African-American sources, achieved the cultural acknowledgement and commercial success largely denied his black peers.
Addressing his '68 Comeback Special audience, he said, "Rock 'n' roll music is basically gospel or rhythm and blues, or it sprang from that.
People have been adding to it, adding instruments to it, experimenting with it, but it all boils down to [that]. It used to be called rhythm and blues.
Presley's physical attractiveness and sexual appeal were widely acknowledged. He was that good looking. And if you never knew he was a superstar, it wouldn't make any difference; if he'd walked in the room, you'd know somebody special was in your presence.
Writing in , critic George Melly described him as "the master of the sexual simile, treating his guitar as both phallus and girl".
While Presley was marketed as an icon of heterosexuality, some cultural critics have argued that his image was ambiguous.
In , Sight and Sound ' s Peter John Dyer described his onscreen persona as "aggressively bisexual in appeal".
Reinforcing Presley's image as a sex symbol were the reports of his dalliances with various Hollywood stars and starlets, from Natalie Wood in the s to Connie Stevens and Ann-Margret in the s to Candice Bergen and Cybill Shepherd in the s.
June Juanico of Memphis, one of Presley's early girlfriends, later blamed Parker for encouraging him to choose his dating partners with publicity in mind.
Elvis kept several horses at Graceland , and horses remain important to the Graceland estate. A local former teacher, Alene Alexander, has taken care of the horses at Graceland for 38 years.
She and Priscilla Presley have a love for horses and have formed a special friendship. It was because of Priscilla that Elvis brought horses to Graceland.
Alexander now serves as Graceland's Ambassador. She is one of three of the original staff members still working at the estate.
The horse named Palomino Rising Sun was Elvis' favorite horse and there are many photographs of him riding him. Once he became Presley's manager, Colonel Tom Parker insisted on exceptionally tight control over his client's career.
Early on, he and his Hill and Range allies, the brothers Jean and Julian Aberbach , perceived the close relationship that developed between Presley and songwriters Jerry Leiber and Mike Stoller as a serious threat to that control.
Leiber thought there was a mistake—the sheet of paper was blank except for Parker's signature and a line on which to enter his.
By , Parker's contracts gave him 50 percent of most of Presley's earnings from recordings, films, and merchandise. He would sign a contract without even reading it.
He was only interested in 'now money'—get the buck and get gone. Lacker was instrumental in convincing Presley to record with Memphis producer Chips Moman and his handpicked musicians at American Sound Studio in early The American Sound sessions represented a significant departure from the control customarily exerted by Hill and Range.
Moman still had to deal with the publisher's staff on-site, whose song suggestions he regarded as unacceptable.
He was on the verge of quitting until Presley ordered the Hill and Range personnel out of the studio. Throughout his entire career, Presley performed in only three venues outside the United States—all of them in Canada, during brief tours there in I'll probably start out here in this country and after that, play some concerts abroad, probably starting in Europe.
I want to see some places I've never seen before. Parker was uncharacteristically reluctant, prompting those close to Presley to speculate about the manager's past and the reasons for his evident unwillingness to apply for a passport.
Parker arguably exercised tightest control over Presley's film career. Hal Wallis said, "I'd rather try and close a deal with the devil" than with Parker.
Fellow film producer Sam Katzman described him as "the biggest con artist in the world". In Lacker's description, "The only thing that kept Elvis going after the early years was a new challenge.
But Parker kept running everything into the ground. In Leiber's telling, Jean Aberbach warned them to never again "try to interfere with the business or artistic workings of the process known as Elvis Presley".
In the early s, the circle of friends with whom Presley constantly surrounded himself until his death came to be known as the "Memphis Mafia". If we hadn't been around, he would have been dead a lot earlier.
Larry Geller became Presley's hairdresser in Unlike others in the Memphis Mafia, he was interested in spiritual questions and recalls how, from their first conversation, Presley revealed his secret thoughts and anxieties: "I mean there has to be a purpose I swear to God, no one knows how lonely I get.
And how empty I really feel. Presley's rise to national attention in transformed the field of popular music and had a huge effect on the broader scope of popular culture.
Elvis was a blessing. They wouldn't let black music through. He opened the door for black music. His following was immense, and he was a symbol to people the world over of the vitality, rebelliousness, and good humor of his country.
Presley's name, image, and voice are recognized around the globe. He introduced the beat to everything and he changed everything—music, language, clothes.
It's a whole new social revolution—the sixties came from it. On the 25th anniversary of Presley's death, The New York Times asserted, "All the talentless impersonators and appalling black velvet paintings on display can make him seem little more than a perverse and distant memory.
But before Elvis was camp, he was its opposite: a genuine cultural force. Elvis' breakthroughs are underappreciated because in this rock-and-roll age, his hard-rocking music and sultry style have triumphed so completely.
Elvis Presley is a supreme figure in American life, one whose presence, no matter how banal or predictable, brooks no real comparisons.
The cultural range of his music has expanded to the point where it includes not only the hits of the day, but also patriotic recitals, pure country gospel, and really dirty blues.
Elvis has emerged as a great artist , a great rocker , a great purveyor of schlock , a great heart throb , a great bore , a great symbol of potency , a great ham , a great nice person , and, yes, a great American.
Presley holds the records for most songs charting in Billboard ' s top 40—    —and top , according to chart statistician Joel Whitburn ,   according to Presley historian Adam Victor.
Whitburn has Presley also with 18, and thus tied for second;  Billboard has him third with As an album artist, Presley is credited by Billboard with the record for the most albums charting in the Billboard : , far ahead of second-place Frank Sinatra's He also holds the record for most time spent at number one on the Billboard 67 weeks.
This gave him a new record for number-one UK albums by a solo artist with 13, and extended his record for longest span between number-one albums by anybody—Presley had first topped the British chart in with his self-titled debut.
In the spider Paradonea presleyi was named in his honor. A vast number of recordings have been issued under Presley's name.
The total number of his original master recordings has been variously calculated as  and In the case of his albums, the distinction between "official" studio records and other forms is often blurred.
For most of the s, his recording career focused on soundtrack albums. In the s, his most heavily promoted and best-selling LP releases tended to be concert albums.
From Wikipedia, the free encyclopedia. American singer and actor. For other uses, see Elvis disambiguation. Presley in a publicity photograph for the film Jailhouse Rock.
Tupelo, Mississippi , U. Memphis, Tennessee , U. Priscilla Beaulieu. See also: List of songs recorded by Elvis Presley on the Sun label.
Presley transformed not only the sound but the emotion of the song, turning what had been written as a "lament for a lost love into a satisfied declaration of independence.
Presley's definition of rock and roll included a sense of humor—here, during his second Sullivan appearance, he introduces one of his signature numbers.
Elvis in publicity photos for the film Jailhouse Rock. See also: Elvis Presley's Army career. See also: Elvis Presley on film and television.
Presley broke new stylistic ground and displayed his vocal range with this number-one hit. Main article: Singer Presents Beginning with his American Sound recordings, soul music became a central element in Presley's fusion of styles.
Here, he revels in lyrics full of sexual innuendo. See also: Aloha from Hawaii Via Satellite. From How Great Thou Art , a traditional song popular in the black gospel tradition.
The arrangement evokes "the percussive style of the s Golden Gate Quartet. Further information: Colonel Tom Parker. Main article: Memphis Mafia. I know he invented rock and roll, in a manner of speaking, but He's worshiped as a god today because in addition to inventing rock and roll he was the greatest ballad singer this side of Frank Sinatra —because the spiritual translucence and reined-in gut sexuality of his slow weeper and torchy pop blues still activate the hormones and slavish devotion of millions of female human beings worldwide.
Main articles: Elvis Presley albums discography , singles , songs , and hit albums. Blues Blue Hawaii Girls!
Main article: Elvis Presley on film and television. The physician who delivered him wrote "Elvis Aaron Presley" in his ledger.
The name was chosen after the Presleys' friend and fellow congregation member Aaron Kennedy, though a single-A spelling was probably intended by Presley's parents to parallel the middle name of Presley's stillborn brother, Jesse Garon.
Late in his life, he sought to officially change the spelling to Aaron and discovered that state records already listed it that way.
Knowing his wishes for his middle name, Aaron is the spelling his father chose for Presley's tombstone, and it is the spelling his estate has designated as official.
He received credit on two other songs to which he did contribute: he provided the title for " That's Someone You Never Forget " , written by his friend and former Humes schoolmate Red West ; Presley and West collaborated with another friend, guitarist Charlie Hodge, on " You'll Be Gone " He tallies each side of the former single as a number-one Billboard ' s sales chart had "Don't Be Cruel" at number one for five weeks, then "Hound Dog" for six and reckons "I Beg of You" as a top ten, as it reached number eight on the old Top chart.
Billboard now considers both singles as unified items, ignoring the historical sales split of the former and its old Top chart entirely.
Whitburn thus analyzes the four songs as yielding three number ones and a total of four top tens. Billboard now states that they yielded just two number ones and a total of two top tens, voiding the separate chart appearances of "Hound Dog" and "I Beg of You".
CBS News. Retrieved July 12, July 19, Elvis Presley: The Man. The Life. The Legend. Simon and Schuster. Las Vegas Sun. Retrieved March 3, April 4, The Elvis Movies.
August 15, Retrieved January 9, March 17, Retrieved July 1, December 3, Roberts Backbeat Books. Jerry Osborne Enterprises.
Being Elvis: A Lonely Life. Liveright Publishing. Ziff-Davis Publishing Company. Rock Hardware. Balafon Books. Equine Info Exchange.
January 27, Altieri August 8, ZooKeys : 1— Adelman, Kim. Random House; Alden, Ginger. New York: Berkeley Publishing; Allen, Steve.
Hi-Ho, Steverino! Thorndike Press; Arnett, Jeffrey Jensen. Pearson Prentice Hall; Ashley, Martin.
How High Should Boys Sing? Ashgate; The Atlantic. The Top ; December [Retrieved January 19, ]. Austen, Jake. Chicago Review Press; Baden, Michael M.
Unnatural Death: Confessions of a Medical Examiner. Ballantine; Baillie, Russell. New Zealand Herald. Baird, Robert.
December 23, [Retrieved January 17, ]. BBC News. The Beatles. The Beatles Anthology. Chronicle Books; Bennet, Mark. Elvis impersonator reviews his career highlights, wardrobe.
Daily Herald of Arlington Heights. August 15, [Retrieved February 2, ]. Bertrand, Michael T. Race, Rock, and Elvis. University of Illinois Press; October 30, Bloom, Nate.
Bouchard, Dany. Toronto Sun. November 5, [Retrieved November 9, ]. Bronson, Fred. May 9, July 3, Signet; Burke, Ken; Griffin, Dan.
Caine, Andrew. Palgrave Macmillan; Campbell, Michael. Popular Music in America. Caulfield, Keith. September 18, November 25, [Retrieved January 17, ].
Charlton, Katherine. Rock Music Styles: A History. McGraw-Hill; Christgau, Robert. Christgau's Consumer Guide.
New York December 24, [Retrieved August 26, ]. Clarke, Steve. In: Coady, David, editor. Conspiracy Theories: The Philosophical Debate.
Clayton, Dick; Heard, James. Virgin Publishing; Coffey, Frank. The Complete Idiot's Guide to Elvis. New York: Alpha Books; Collins, Dan.
Connelly, Charlie. Little, Brown; Cook, Jody. United States Department of the Interior; Corcoran, John.
The King and Karate. Black Belt. March 1, [Retrieved December 17, ]— Cosby, James A.. McFarland; Cusic, Don. The Gospel Music Magazine.
Summer Davies, Hunter. Norton; Denisoff, R. Transaction Books; Discovery Channel. Greatest American ; [ archived January 29, ; Retrieved December 29, ].
Doll, Susan. Understanding Elvis: Southern Roots vs. Star Image. Routledge; Doss, Erika Lee. He was Your email address will not be published.
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From the early concept of America as an "experiment in democracy" equating it to the early, idealistic, wide-eyed Elvis; to the current America, seemingly synonymous with runaway capitalism, paralleling the bloated, addicted, Vegas Elvis.
Sometimes the metaphor works clearly, cleanly, and even profoundly, other times it feels forced. It's not helped by an almost constant quick-cut, manic editing style that never settles into much of a groove.
There are two very powerful montages in the last act that drive home the thesis Jarecki is going for, and they are wonders of contextual editing and visual meta-meaning, but because they're dropped at the end of what is essentially a montage-movie, they're impact is muted.
What should have been an apex moment in the visual storytelling comes off as just a slight uptick in the pace and rhythm of the film.
Apparently there was close to hours of footage shot for the doc, and you can see it in the editing. There's a lot that the filmmakers want you to see, but the pacing, tone, and thematic clarity suffer from a lack of breathing room.
Some of the interviews are outstanding. Chuck D, as always, is a national treasure. Ethan Hawk is affable as hell.
John Hiatt has one particular moment of emotional clarity that's pretty much worth the price of admission. And, in a surprise powerhouse showing, Mike Myers turns out to be an incredibly astute and impish observer of the American phenomenon.
Sadly all of these interviews are really just reduced to sound bites in the frenetic race to get from moment to moment, beat to beat. I have to also mention the musical performances, which are outstanding, but also, not given a whole lot of room to stretch.
If the failures and successes of THE KING were the failures and successes of more modern American art and thought, maybe we wouldn't be in the mess we're in today.
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